WATERBOMB SINGAPORE 2025: A BEACHSIDE FESTIVAL OF MUSIC, CHAOS AND FUN

Seoully Singapore

Two male performers on stage with water splashing around them, both wearing casual clothing. One is holding a water bottle while smiling at the other, who is wearing a white tank top. A female performer is partially visible behind them.

Waterbomb Singapore 2025 made a splashy return to Sentosa’s Siloso Beach over the last weekend of August, bringing two full days of high-energy performances, water cannons, and festival mayhem. With a lineup that mixed beloved idols, powerful soloists, and rising stars, the event delivered both nostalgia and fresh excitement, cementing itself as one of the year’s most talked-about festivals.

A group of four female dancers performing on stage, surrounded by smoke effects, with one singer holding a microphone and the others dancing energetically.

Day 1: From Idol Reunions to Show-Stopping Closers

The first day leaned heavily into idol energy. Sorn and Seungyeon, once of CLC, reunited once more — with Seungyeon this time officially billed on the line-up after appearing informally alongside Sorn last year. Sorn showcased her solo tracks Rowdy and Cold Waters, while Seungyeon surprised fans by stepping in for a short DJ set before the two closed with a nod to their CLC roots. 

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Adding kinetic flair, Team Bebe and Jam Republic — two powerhouse dance crews from Street Woman Fighter — staged explosive interludes. This marked the first time the two crews had teamed up outside of the show where they had once been close competitors. What could have felt like rivalry instead came across as genuine camaraderie, with their enjoyment on stage feeding straight into the crowd’s energy. 

A shirtless male performer on stage, holding a microphone and a water bottle, with a rugged denim look, against a colorful backdrop of lights and stage equipment.

Huta (Lee Minhyuk of BTOB) followed with a set that balanced swagger and sentiment. Mixing newer tracks like Wet with fan-favourites such as BOOM and even a nod to BTOB’s Higher, he kept the crowd moving throughout. Between songs, he teased fans with playful banter — referencing a meme from fellow member Eunkwang (“just give up!”) — and spoke movingly about his return to Singapore after several years.

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EXID were one of the day’s standout highlights. As soon as the opening notes of Hot Pink hit, the crowd erupted, and the energy carried through L.I.E and DDD. Their stage presence was sharp and playful, with choreography that had fans dancing and singing along from start to finish. By the time Up & Down closed their set, the beach had turned into a giant chorus. Having last performed in Singapore nearly seven years ago, their return carried an added weight for longtime fans. For many, it was simply moving to see the group back together again, a nostalgic reminder of the era they helped define.

Minho and Taemin closed out Day 1 with back-to-back showcases that highlighted both their individual strengths and their shared bond. Minho’s set was easygoing and fan-focused, with tracks like Runaway and Call Back delivered with infectious energy and plenty of crowd interaction. Taemin followed with a more dramatic arc, layering artistry into Move, Advice, and Guilty, his choreography as precise as it was expressive. When the two came together on stage for SHINee’s View, the chemistry between them was undeniable — from playful banter to Minho drenching them both with water in a mischievous splash. They even teased the idea of SHINee returning as a group to Singapore, leaving fans buzzing with anticipation. Their pairing was the perfect finale: charisma, artistry, and a reminder of the magic they bring both apart and together. 


Day 2: From Solo Swagger to a Legendary Reunion

Anson Lo of Hong Kong’s MIRROR kicked things off with polished choreography and high-energy tracks like MONEY, ON, and Heartbreaker. His fanbase had clearly prepared for the weekend, with coordinated banners, chants, and even supporters flying in from Hong Kong to show their love, giving the festival an early surge of adrenaline.

A performer singing on stage with a microphone, wearing a brown sleeveless shirt and loose gray pants, with a vibrant backdrop of blue and purple lights.

Junny shifted the mood with a soulful, intimate set. Performing Aura, Rush, and Invitation, his smooth vocals floated over the crowd and provided a welcome breather in between heavier acts — a reminder that quieter moments can be just as commanding.

A shirtless performer with platinum blonde hair sings on stage, surrounded by a colorful light display. He is wearing black pants with various designs and appears energetic.

Ash Island then plunged the festival into darker territory, firing off Band and OST with hard-hitting beats and raw intensity. His delivery carried a brooding edge, each verse cutting through the air with a mix of defiance and emotion. Without needing big gestures, he let the weight of his verses drive the energy of the set.

A performer on stage holds a microphone, smiling and engaging with the audience. She is wearing a light, stylish top and distressed black jeans, with long hair cascading down her shoulders. The background features vibrant, colorful stage lights and graphics.

Lee Young-ji burst onto the stage like a whirlwind. Sprinting across the platform, spraying water, and throwing herself fully into Not Sorry, Witch, and Fighting, she embodied Waterbomb’s chaotic, playful spirit. She also delivered crowd-favourites Small Girl and Smoke, with the audience matching her energy and shouting the lyrics right back. Equal parts rapper, entertainer, and comedian, she had the audience laughing, chanting, and splashing with her throughout her set.

A male performer singing on stage, wearing a tank top and showing his toned torso, with a DJ in the background. The backdrop features colorful lights and a large screen displaying the name 'JAY B'.

Jay B (of GOT7) followed with sleek R&B grooves that shifted the festival back into smooth territory. Tracks like B.T.W and Make Me Right highlighted his effortless vocals and stylish choreography, while his easy rapport with the audience brought warmth to his performance. It was a perfectly paced set that bridged the wildness before him with the night’s climactic finale.

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2NE1’s long-awaited reunion was the clear pinnacle of the weekend. The crowd went wild from the first beat of Fire, and the energy only intensified through Clap Your Hands, Can’t Nobody, Ugly, and I Am the Best. It felt as though everyone knew their songs by heart, and that collective response pushed the festival to its peak. Having staged their own concert in Singapore just last December — and with CL and Dara appearing separately at last year’s Waterbomb — seeing the members perform together again made the moment all the more meaningful. On stage, they looked at ease in each other’s company, their chemistry and comfort together amplifying the energy of the set. It was a powerful reminder of why they continue to be regarded as K-pop’s queens.

By the end of the weekend, fans left the beach sun-soaked, drenched, and exhilarated — voices hoarse from singing and spirits lifted from two days of music and camaraderie. Waterbomb Singapore 2025 wasn’t just a party in the sand; it was a celebration of K-pop’s enduring power to bring people together, across eras and borders, in one unforgettable splash.